335. Bruce Springsteen - Born To Run (1975)
1. Thunder Road
2. Tenth Avenue Freeze-Out
5. Born to Run
6. She's the One
7. Meeting Across the River
So here's the first entry by the Boss of us all, Springsteen. Actually I've never been a fan and I have had trouble understanding what all the hype was about, but after spending three days with this album I get it. It is pretty great stuff.
There is plenty you can criticise here, opening the door to the eventual emergece of Bon Jovi or the fact that it sometimes sounds like Dire Straits. But hey I have a certain love for Dire Straits... one of those things. But in the end Springsteen is just a very good musician and a great lyricist.
Springsteen is probably the best lyricist of the American urban working-class, his songs about escapism and cars, women and freedom are very much a thing which resonates with the urban working-class. This is not to mean that he is not a sensitive writer, in fact he is very sensitive, his songs have little images which are pretty great.
So I was very agreeably surprised by the Boss, his songs are epics which really deserve close attention and to be listened to more than once. So get this album.
1. Thunder Road
2. Born To Run
The album is noted for its use of introductions to set the tone of each song (all of the record was composed on piano, not guitar), and for the Phil Spector-like "Wall of Sound" arrangements and production. Indeed, Springsteen has said that he wanted "Born to Run" to sound like "Roy Orbison singing Bob Dylan, produced by Spector."
In terms of the original LP's sequencing, Springsteen eventually adopted a "four corners" approach, as the songs beginning each side ("Thunder Road", "Born to Run") were uplifting odes to escape, while the songs ending each side ("Backstreets", "Jungleland") were sad epics of loss, betrayal, and defeat (Originally, he had planned to begin and end the album with alternative versions of "Thunder Road".)
Also, original pressings have "Meeting Across the River" billed as "The Heist." The original album cover has the title printed in a graffiti style font. These copies are very rare and considered to be the "holy grail" for Springsteen collectors.